Saturday, 26 November 2011

Olympic.

For my Modo Soc. this years show is themed 'Olympic'. Im working on a (relatively small) collection, and I'm drawing on 1980s American sportswear but updating it to a Britsh street cool, as we have the 2012 games. I just thought I'd share some photos I have been drawing my aesthetic from, and I'll let you know how everything goes!

Most images are vintage sports ads, Michael Cera in Juno and Joey Essex TOWIE both emit a sporty cool, Kate Moss from Vogue and Medham Kirschoff for Topshop are the current English vibes I'm drawing on and the Prada AW'11 swimhats are inspirational by udating sportswear to high fashion. 

Any thoughts? 

xo Rhio

Tuesday, 22 November 2011

Me casa es su casa.




You may have seen my submission, but I wanted to write a little more about it here.
When moving into uni halls, I moved out of a bedroom that I had put time and effort and love and all of my personality into, and was allocated a generic blank box, complete with mass ordered, characterless furniture (have I ever mentioned I despise cheap-looking pine fittings?).
My uni room wasn't home when I moved in, and my old room very much was. Sanctimonious, beautiful and a culmination of many inspirations.
I spent weeks mood-boarding, after years spent pulling and storing beautiful pages out of interior magazines Vogue and Stella. The floor was chosen,  a beautiful ebony false wood, and I spent two days painting over the previous owner's colour choice. I wanted an industrial, post apocalyptic renaissance feel, because I'm obsessed with fantastical escape, yet live in dystopia. The grey walls, with gold splatters, weren't exactly how I wanted them in reality, but in my mind they were peeling golden plaster; the Russian palaces after the revolution, broken and decaying but steeped in lavish indulgence.
Hidden beauty and interest had to be incorporated. What is the point of something that isn't beautiful? So I used Russian dolls as jewellery storage, vintage bags to store odds and ends, and swathed everything else in beautiful fabric, hiding the functional reality under a veil of sparkles and flowers.
a shelf.
The golden accents

A belly dancing belt to cover the book spines

Now my uni room feels lived in. It is still very neat because I deal a lot better with order and a blank space, sort of like a dramatic black box to create in, but now I feel more at home here. The institutionalised feel continues to linger, and there is a funny smell that I need to buy incense to overcome, but slowly but surely I have added little touches of myself into my new room.
It leaves me in a very interesting state of transience. When visiting home it doesn't feel like home any more - it is the same, yet different. On my return, I'm not arriving at a safe place, I'm coming into an rented room with a fixed leaving date. Not going to get too comfortable!
Perhaps it is a good thing. After all, with no place to be tied down to one is filled with a sort of wanderlust, a yearning to achieve and create a something new, something influential yet still mine. However, I can't help thinking that if I was living in more of a wretched hole, like some of the halls I've seen, it would be harder to let go of the past and move into the future. If I was in one giant, breakable party house, would I ever want to move into the future? Or would I happily squander for eternity. Fearfully, I think the answer to that question might be yes!

Friday, 18 November 2011

shameful friday night in.

New age Grandmas, staying in on a friday because we're busy with our fruit. 

Yeah, you know when uni is going welllll

Wednesday, 2 November 2011

Pretty Political.

Vogue.com published an article about the Occupy London protests and about the Libyan conflict.  
I was pleased to read them, because many people look upon fashion and politics, or fashion and anything 'intelligent', as incompatible. I disagree and thin that both fashion and politics are interesting but that the politics of fashion is even more so.
Influential people all over the world are interested in fashion. How can I claim this? Well, rich people are influential, and only rich people can afford designer clothes. If there wasn't a need for style when becoming influential, then the entire fashion industry would be non-existent. 
I think that fashion is more than just peacocking. clothes say something about a person, something about what they stand for, and I hate it when image is seen as superfluous to 'intellectuals' with an agenda. 
The power dressing of the '80s showed women to be professional and adaptable to their masculine roles; ikat prints symbolise an intelligent traveller, and an asda t-shirt with yesterdays breakfast on it, because you "don't care about fashion" portrays the student who believes they're cleverer and more powerful than an entire government. 
When people judge others for caring too much about clothes and make up, they should think about how the image is often more powerful than the message; an iconic symbol is Che Guevara, but his message is often forgotten in the market stalls selling mass produced flags.
And even if you don't have a political message, your image can make you influential. Just look at reality TV stars!
So, lets all to St Pauls, but only after our manicure!

We could have this manicure! Because I LOVE the nails from Made in Chelsea!!!