Wednesday, 7 January 2015

Our trip to Kii-Katsuura, Wakayama




The slowest train ever named ‘express’ brings you into Kii-katsuura station. A quaint costal journey, with window facing seats (for the sea view) and the noise of old people, muttering general dissatisfactions.
                Our young couple had checked in, and bathed together, before deciding to venture on a stroll around the headland. Before alighting upon any pleasure beach, they came upon a café, overlooking a building site; for what they did not know.
“Maybe it’s for a new hotel” he conjectured, although they had passed a huge abandoned hotel previously, its tattered curtains gazing limply through the broken windows. “Whatever it is, it will ruin the café’s view”. Turning their attention back to the café, they noticed something odd in the cliff face behind it. Two little doors cut into the rock. Front doors. And a window. A little house nestles into the domineering stone. She remarked that it was like a real life hobbit hole. However, they didn’t have long to contemplate it, as a man cycling past them caught their attention. Grasped tightly in his left hand, a whole squid glistened, its tentacles flapping in the wind. 

                                     
                The scenery of Katsuura, Wakayama, is dramatic to say the least. Huge cliffs tumble into the Pacific Ocean, red veins of copper snaking up their sheer sides. The sea is crystal clear, and gets deep quickly. The seaside town which was once bustling and colourful has now, like most seaside towns, fallen into that melancholic state between effervescence and disrepair. One small tuna fishery is the face of the town, but quickly gives way to a much larger port, disused and rusting. 
              


   Our protagonists had reached this point as the sunlight began to fade. Three large hawks were perched on an abandoned crane. The largest of the three, probably a female, unfurled its lengthy wingspan and soared, in a dive then an arch. We stopped to watch, as the hawks circled in the sky above us.
                Turning our heads back to the path, a pair of glowing eyes looked up to greet us. “Neko-chan—“ I started and then trailed off. Seemingly from nowhere had appeared, maybe 15, feral cats. Sitting on cars and boats, lobster pots and boxes, they glared like statues. We hurried past, worried we had lingered too long on their turf. A little further ahead we stopped for breath. We were searching the azure waters for fish, when, deep in the waters, we noticed the skeletal remains of a rusty bicycle. 
 
                As we observed this, some clockwork chimes sounded. A childish melody, like that of an ice cream van, or a child’s wind-up toy.  The wind picked up, and tickled at our necks. The music stopped playing as suddenly as it had begun. It was time, then, for us to return to our hotel. As we navigated our way back, the town speaker crackled into action, announcing something in distorted, echoing Japanese.
                We arrived at our hotel, and the one member of staff who still wore a kimono welcomed us back. We sat down to dine, in a restaurant where the piano played itself.  

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